

The last time we did this was in 2014, and to say that the form has produced a number of classics since then would be an understatement. So in honor of Peter Jackson’s Get Back - a new six-episode look back at the Beatles putting together the album Let It Be even as they were beginning to fall apart - we’ve compiled a list of the 70 greatest music documentaries of all time: the concert films, fly-on-the-wall tour chronicles, punk and hip-hop and jazz time capsules, and career assessments of everyone from Amy Winehouse to the Who that have set the standard and stood the test of time. Not all of them, of course, are created equal. It’s never been easier to make a music documentary these days. And thanks to new access to archives and updated technology, a whole generation of filmmakers have come up learning the art of docu-portraits and genre breakdowns that run the gamut from sub-subgenres to broad stem-to-stern histories of rock, jazz and country-and-western. A number of documentarians saw the advantage of capturing a number of legendary artists and bands in their heyday and/or once-in-a-lifetime performances - partially for posterity, partially for plain old reportage and partially for the second-hand high of it all. When it comes to historical musical moments, however, there’s nothing like seeing the real thing. The rich meaningful lyrics of Vairamuthu and Rahman’s soulful tune set to the haunting vocals of MS Viswananthan, Manikka Vinayagam and others perfectly depicted the agony of Sri Lankan Tamils during the civil war.The movies have always loved giving actors the chance to play rock star or impersonate an iconic musician/singer, recreating those famous “Eureka!” studio moments and greatest-hits shows for any number of music biopics. Vidai Kodu Engal Naade is a stirring composition by AR Rahman for the film Kannathil Muthamittal and it fittingly garnered his fourth national award for Best Music Direction.

Thaiyya Thaiyya set a benchmark for voice modulation and Palakkad Sriram rose to overnight fame with the track, which went on to be listed in BBC World Service’s international poll for top 10 songs of all-time. With this OST, he pushed his boundaries like never before and demonstrated his proficiency to conceive innovative soundscapes. Rahman was in top-notch form by the time the album of Mani Ratnam’s Uyire hit the racks. Play Tamil Melody Songs 90s-2000s and discover followers on SoundCloud Stream tracks, albums, playlists on desktop and mobile. He employed to fabulous use a motley assortment of instruments in the song that drove the story forward in the movie. The song Strawberry Kanne, sung by Kay Kay and Febi Mani, has to be one of the most engaging tracks Rahman has ever composed.


Rahman was honoured with his second national award for the film Minsara Kanavu.
