Liberace started, in his process, using the Bargue method: a clear and precise method developed by Charles Bargue and Jean-Léon Gérôme about two hundred years ago and based on the study of casts of classical Greco-Roman works, master drawings and drawings of male.
Portraying the image of his daughter Ava from a photograph, Master Liberace highlighted, live in front of dozens of people, the importance of the hand-eye connection that proceeds naturally and as such does not allow itself to be overwhelmed by the mind in the elaboration of the artistic process. What better artist than Robert Liberace could introduce a delicate and sometimes underestimated topic like this? The day was entirely dedicated to the theme: “The Eye and Hand Connection”. First day of pre-convention workshops for “The Art of The Portrait,” the Portrait Society of America’s annual convention, now in its 23rd year.
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